In ancient Egypt chairs appear to have been of great richness and splendour. Fashioned of ebony and ivory, or of carved and gilded wood, they were covered with costly materials and supported upon representations of the legs of beasts or the figures of captives. Egyptians believed that the the chairs need to represent natural forms to avoid creating chaos in the universe, by creating an artificial object. This tendency is seen all over Egyptian art and manufacture. An arm-chair in fine preservation found in a tomb in the Valley of the Kings is astonishingly similar, even in small details, to that “Empire” style which followed Napoleons campaign in Egypt. The earliest monuments of Nineveh represent a chair without a back but with tastefully carved legs ending in lions’ claws or bulls’ hoofs. Others are supported by figures in the nature of caryatides or by animals.
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